This post is part of an ongoing project: scanning my old slides, prints, and negatives (late 1970’s to 2004) to digital.


Back before color film was invented, photographers used the process of hand-colouring (hand-tinting) monochrome photos to add color. Even after the advent of color photography, hand-colouring remained a photography niche for its artistic and aesthetic values.

My photographer mother introduced my wife, Ruth, and me to hand-tinting in the 70’s. My memories are of Mom hand-tinting a bride’s picture as a unique offering when she photographed a wedding. For a while, we were very into the process. While I took/ printed the pictures and did some tinting, Ruth (the artist in the family) did most of the more complex hand tinting. We have not hand-tinted since my switching to digital. As part of my research for this post, I found the niche is still very much alive. Photographers shoot digital in color, convert the image to monochrome with software, print the result and hand colour the image. A new item on my bucket list!

Marshall’s Photo Oils were specifically designed for use on black and white photos. It is what both my mother and we used.

Most of our hand-tinted photographs did not survive the ravages of time, but here are a few that did.


First, a comparison of monochrome to hand-tinted, from a series in the 80’s.

Highlighting a feature… the moon is yellow (photographed monochrome and tinted in 1980)
Background tinted green to highlight the subject (photographed monochrome and tinted in 1982)
Enhanced portrait (photographed monochrome and Ruth tinted in 1983. Making it a self-portrait?)
Photographed monochrome and tinted in 1984
Exhibition print (photographed monochrome and tinted in 1978)

Prints were scanned to digital on March 22, 2025


Click here is see full-size, no watermark, images at www.ImagesByBill.us

Thanks for visiting!

March 23, 2025

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